What would you do if your teenage daughter suddenly
disappeared and none of the people you would normally reach out to, have a clue
where she is? What would you do when you realise that the little girl you have
loved and nurtured all your life is someone you don’t know any more? What would
you do when you are so overcome with the guilt of not having seen this coming,
that it paralyses you into inaction and desperation? What would you do when you
feel that you’re all alone in this world and no one can really help you?
Well, simple. Do what every teenager would do.
Go online!
#Searching is the story of a father (David Kim,
played by John Cho of Harold and Kumar fame) in desperate search of his missing
teenage daughter over the course of 5 tense days. Not exactly a new plot,
actually. Liam Neeson is
probably yawning at this point.
But the impact of the movie is in the way the story
is told - almost entirely through the multiple digital screens that are an
indispensable part of our everyday lives. Right from the very first scene, we
are following the lives of a Korean-American family through Facebook posts,
video blogs, and home videos. Just like a social media timeline, in a quick few
minutes we know the entire history of this family - from wedding to child growing
to mom’s long battle with cancer and upto the present day. The present day
story then continues, of the single dad and his search for his daughter, told through iChats, Face times, Facebook posts, Insta
stories, private chat and broadcast sites, Twitter, Youtube, and
not-to-forget the good old TV.
What is amazing is how deep human emotions
are portrayed simply through the use of screens by the characters. When the dad
types a message but then erases it to write something that he thinks will be
better accepted by his daughter, you can feel every parent in the audience
sighing. When the missing girl story goes viral along with an explosion of
superficial and fake sympathy by strangers, you can feel the frustration that
the dad is feeling. Even the 3 ominous missed calls displaying on the
screen from the night before, put a chill down your spine.
And then of course, is the edge-of-the-seat central plot,
of how David slowly but surely puts the different digital pieces of the puzzle
together to solve the mystery, along with special detective Rosemary Vick
(played by Debra Messing). As David uncovers one clue that leads to another, he
gets deeper and deeper into the private life of his teenage daughter that he
didn’t know existed. Finally leading to the climax of solving the mystery. Only thing is don't hold your breath for the climax, the only thing that disappoints.
The completely new-age take to storytelling is not
because it is a ‘digital thriller’. In fact that would be the least of the
things. Many movies and programmes have dabbled in that. The reason this movie is modern because it
doesn’t make a big deal of words like digital, online, internet. Better still,
it doesn’t condemn the “online” world as the evil of our times! The film treats
the various gadgets as a natural extension of our physical selves.
They are our ‘extended senses’ that are an integral part of our modern day
lives, without which we wouldn’t be able to see, hear, feel, smell, touch,
think. In a world, where the online and offline lives seamlessly merge into
each other, forming part of a complete and perfectly natural whole.
This is what makes for an
effortless-yet-engaging movie. Where technology becomes the tool
to tell the story of people and their lives, story of parents and their
relationship with teenage children, story of the bitter-sweet journey of
raising children, story of the constant guilt and heartache that comes with
being a parent, story of the mortal fear of losing your child, and the story of
forever searching…
In short, a must watch!
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